"A walk through the landscape that inspired one of England's greatest artists."
Walk directions
Turn right out of the car park, pass the Red Lion pub and the post office, then turn right along a lane, noting Constable's early studio on the left. Continue along this lane, past a chapel and a cemetery, through a gate and down the left side of a meadow to cross a footbridge. Climb the path on the far side for marvellous views of the Stour Valley and the church towers at Dedham and Stratford St Mary.
Turn left at a junction of paths to walk down Dead Lane, a sunken footpath. At the foot of the hill, turn left on to a field-edge path. The path goes right then left to pass next to a stile on the edge of Fishpond Wood. Ignore the stile to the right immediately after the footbridge and walk to the end of the wood, then climb another stile into a field and walk beside the fence to your right. The path switches to the other side of the fence and back again before bending left around a belt of woodland to Fen Lane.
Turn right along the lane, crossing a cart bridge and ignoring footpaths to the left and to the right as you continue towards the wooden-arched Fen Bridge. Cross the bridge and turn left to walk beside the River Stour towards Flatford on the wide open pasture of the flood plain.
Cross a bridge to return to the north bank of the river beside Bridge Cottage. Turn right here, passing The Granary on the way to Flatford Mill.
Walk past Willy Lott's House and turn left past the car park. An optional loop here, on a National Trust permissive path, leads anti-clockwise around the outside of Gibbonsgate Field beside a hedge. Otherwise, keep left on a wide track and go through the gate to join another National Trust path through Miller's Field. Stay on this path as it swings left (ignoring the turning to the right at the post with the blue stripe) and climbs to the top of the field, then go straight ahead through a kissing gate. Keep ahead, ignore the stile on the left and soon follow a fenced path to a T-junction of footpaths. Turn left here along the track to the rear of barns and continue down the drive of Clapper Farm to reach Flatford Road.
Turn right along the road. At the crossroads, turn left passing The King's Head pub and Haywain Restaurant on the way back to East Bergholt. Stay on the pavement on the right side of the road to walk through the churchyard and return to the start of the walk.
John Constable (1776-1837), the greatest English landscape painter of all time, was born in East Bergholt and spent his childhood among the leafy lanes and pastoral landscapes of Dedham Vale. Even after he moved to London to join the Royal Academy, he returned to Suffolk each summer to draw fresh... inspiration from the bucolic scenery of meadows, valleys, rivers, farmland and boats. He claimed to have seen pictures in these scenes long before he ever picked up a pencil and they remained his favourite subject throughout his life. 'I associate my careless boyhood with all that lies on the banks of the Stour. Those scenes made me a painter and I am grateful,' he wrote. Pastoral landscapes This walk takes you through the heart of Constable Country, which looks remarkably as it did when he painted it. Artists can still be seen with sketchbooks in hand, painting in the open air as Constable used to do. Several of his best-known works were painted in the vicinity of Flatford Mill, a watermill once owned by Golding Constable, the artist's father. The mill itself is now an environmental studies centre but you can stand outside and gaze across the mill pond at Willy Lott's House, familiar to art lovers around the world from its appearance in The Hay Wain. Willy Lott was a local farmer who lived in this house for 84 years and is said never to have travelled further than the churchyard of East Bergholt, where he is buried. Constable saw his friend Willy Lott as a symbol of the stability of the English countryside and this painting, more than any other, has come to represent the essence of rural England. It is on display in the National Gallery in London. East Bergholt The walk passes a number of sights associated with John Constable. His childhood home, East Bergholt House, is no longer there but a plaque on the railings marks the spot. His first studio is near by. On Fen Lane you walk along the route which Constable took on his way to school in Dedham each morning. Best of all, you get to stand in the places where Constable produced some of his finest paintings, such as The Cornfield, The White Horse and Boat Building at Flatford Mill. If you want to know more, the National Trust organises one-hour guided walks from Bridge Cottage in summer, where you visit the scenes of the paintings in the company of an art expert. Constable Country has become a popular place to visit and it can get crowded on summer weekends. If you can, come during the week or out of season, when the landscapes take on a completely different hue.
Suffolk is Constable country, where the county’s crumbling, time-ravaged coastline spreads itself under wide skies to convey a wonderful sense of remoteness and solitude. Highly evocative and atmospheric, this is where rivers wind lazily to the sea and notorious 18th-century smugglers hid from the excise men.
"A walk through the landscape that inspired one of England's greatest artists."
Walk details
1hr 30min
Difficulty:
Easy
Gradient:
Moderate
Distance:
3.75 miles (6kms)
Ascent:
246ft (75m)
Walk directions
Turn right out of the car park, pass the Red Lion pub and the post office, then turn right along a lane, noting Constable's early studio on the left. Continue along this lane, past a chapel and a cemetery, through a gate and down the left side of a meadow to cross a footbridge. Climb the path on the far side for marvellous views of the Stour Valley and the church towers at Dedham and Stratford St Mary.
1 of 6
Turn left at a junction of paths to walk down Dead Lane, a sunken footpath. At the foot of the hill, turn left on to a field-edge path. The path goes right then left to pass next to a stile on the edge of Fishpond Wood. Ignore the stile to the right immediately after the footbridge and walk to the end of the wood, then climb another stile into a field and walk beside the fence to your right. The path switches to the other side of the fence and back again before bending left around a belt of woodland to Fen Lane.
2 of 6
Turn right along the lane, crossing a cart bridge and ignoring footpaths to the left and to the right as you continue towards the wooden-arched Fen Bridge. Cross the bridge and turn left to walk beside the River Stour towards Flatford on the wide open pasture of the flood plain.
3 of 6
Cross a bridge to return to the north bank of the river beside Bridge Cottage. Turn right here, passing The Granary on the way to Flatford Mill.
4 of 6
Walk past Willy Lott's House and turn left past the car park. An optional loop here, on a National Trust permissive path, leads anti-clockwise around the outside of Gibbonsgate Field beside a hedge. Otherwise, keep left on a wide track and go through the gate to join another National Trust path through Miller's Field. Stay on this path as it swings left (ignoring the turning to the right at the post with the blue stripe) and climbs to the top of the field, then go straight ahead through a kissing gate. Keep ahead, ignore the stile on the left and soon follow a fenced path to a T-junction of footpaths. Turn left here along the track to the rear of barns and continue down the drive of Clapper Farm to reach Flatford Road.
5 of 6
Turn right along the road. At the crossroads, turn left passing The King's Head pub and Haywain Restaurant on the way back to East Bergholt. Stay on the pavement on the right side of the road to walk through the churchyard and return to the start of the walk.
John Constable (1776-1837), the greatest English landscape painter of all time, was born in East Bergholt and spent his childhood among the leafy lanes and pastoral landscapes of Dedham Vale. Even after he moved to London to join the Royal Academy, he returned to Suffolk each summer to draw fresh... inspiration from the bucolic scenery of meadows, valleys, rivers, farmland and boats. He claimed to have seen pictures in these scenes long before he ever picked up a pencil and they remained his favourite subject throughout his life. 'I associate my careless boyhood with all that lies on the banks of the Stour. Those scenes made me a painter and I am grateful,' he wrote. Pastoral landscapes This walk takes you through the heart of Constable Country, which looks remarkably as it did when he painted it. Artists can still be seen with sketchbooks in hand, painting in the open air as Constable used to do. Several of his best-known works were painted in the vicinity of Flatford Mill, a watermill once owned by Golding Constable, the artist's father. The mill itself is now an environmental studies centre but you can stand outside and gaze across the mill pond at Willy Lott's House, familiar to art lovers around the world from its appearance in The Hay Wain. Willy Lott was a local farmer who lived in this house for 84 years and is said never to have travelled further than the churchyard of East Bergholt, where he is buried. Constable saw his friend Willy Lott as a symbol of the stability of the English countryside and this painting, more than any other, has come to represent the essence of rural England. It is on display in the National Gallery in London. East Bergholt The walk passes a number of sights associated with John Constable. His childhood home, East Bergholt House, is no longer there but a plaque on the railings marks the spot. His first studio is near by. On Fen Lane you walk along the route which Constable took on his way to school in Dedham each morning. Best of all, you get to stand in the places where Constable produced some of his finest paintings, such as The Cornfield, The White Horse and Boat Building at Flatford Mill. If you want to know more, the National Trust organises one-hour guided walks from Bridge Cottage in summer, where you visit the scenes of the paintings in the company of an art expert. Constable Country has become a popular place to visit and it can get crowded on summer weekends. If you can, come during the week or out of season, when the landscapes take on a completely different hue.
Suffolk is Constable country, where the county’s crumbling, time-ravaged coastline spreads itself under wide skies to convey a wonderful sense of remoteness and solitude. Highly evocative and atmospheric, this is where rivers wind lazily to the sea and notorious 18th-century smugglers hid from the excise men.
